Showing posts with label Blog Suggestions. Show all posts
Showing posts with label Blog Suggestions. Show all posts

Friday, July 29, 2011

The roof is on the fire II

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I haven't got much chance to get tanned as I've been in Rome almost for the whole summer now. We do have a beach here... but excuse me, after the killer-blue sea of Sardegna or Salento or even Sabaudia.. Ostia "mi fa schifo!" (is disgusting). But as I'm about to go on a vacation in a few days (finally me too!!!) I've been taking some sun on the roof instead. I was annoyed, obviously so I brought myself bunch of stuff: my diary (yes I still have one), a book, two magazines, radio (my phone) and some nailpolishes. And my camera (as you can see).


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This year my wardrobe's colour palette is all about salmon.
Salmon pink, salmon orange, salmon red.. From scarves to dresses, from accessories to nailpolishes. (don't think I wear them all together although).


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All the necessary to protect myself (the dress, the lipbalm, the sunglasses) and some other stuff to have fun: a book about Waris Dirie's (famous model in the nineties) return to Somalia. Some of the stories about the situation in her homeland (today, right now and not twenty years ago) are really terriffying, if not unbelievable. She fights against the female genital mutilation (FGM), you can get more information about it on her site: www.desertflowerfoundation.org/en/


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With this post I want say hi to my friend Kadri-Ann who this year, unfortunately, didn't make it to Rome but who I miss like hell!! We used to chill on the rooftoop together. During the day to tan, during the night to watch the stars and chitchat. I think this is the first summer we didn't see each other since we're friends (7 years!!!). But soon we'll make it up, I'm sure.

In the meanwhile ciao to ya all,
stay tooned,
M.

PS! I'm still working on the post about Café Naïveté.

Friday, July 15, 2011

An early morning wake-up with Gillian Zinser


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It is time for another post from the series "An early morning wake-up with.. " (check out the one with Rachel Zoe here and with Coco Rocha here!). This time take a sneak-peek into the home of the actress Gillian Zinser. She hasn't done any big parts (yet, let's hope. I love her!) but she sure is a big inspiration for many bloggers at the moment. Differently from other posts this one does not give a big glimpse to the home itself. It rather concentrates on some inspiring home-decor pieces and Gillian wardrobe's key-pieces.
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Treasure Hunting

“This is my grandfather’s hat from WWII. The chair I found at that groovy flea market on Farifax and Melrose. I found the corset at a vintage shop in Paris and have been meaning to use it for some sort of homage-to-early-Madonna shoot. I found that amazing onyx black tooth pendant up in Big Sur, and the framed photo was something I found while gutting a house in the lower ninth ward in New Orleans while volunteering with the St. Bernard project after Katrina hit.”


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Mad Hatter

I am mad about hats. I collect them as souvenirs from my globe trotting.”


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State of the Art

Top: “The hat on the right I found in a gutter in Haiti. The pieces of art were from a series called 'The Loudness of Silence' that I did in college.”

Bottom: “This photo is from an old self portrait series I did when I was living in Brooklyn.”


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Dreamweaver

Top: “I’m in love with dream catchers. I collect them from every trip I take.”

Bottom: Vintage shawl, Chloë Sevigny for Opening Ceremony sunglasses



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Easy Rider

“I found these boots at a vintage store in Prenzlaurberg in Berlin.”

Hurley shirt


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Coming Up Roses

“I found this dress at the Rose Bowl. The turquoise bracelet was a gift from my first boyfriend.”

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Rough-and-Tumble

“I made this voodoo bust a few years back, and my friend Malcolm Ford just gave me that Mike Tyson etching which I’m just mad for!”


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Magic Touch

“This is some childhood memorabilia, my crystal magic wand, and my favorite camera to shoot with.”

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Rock Steady

“The crochet top is vintage. The teeth are from my favorite store in New York, Obscura Antiques. And I’m just mad for amethysts.”


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On Board

“These are two of my favorite Falsa Balsa longboards.”

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Hang Up

“This is my ‘bling corner’ where I hang my jewelry from antlers. My dad took that photo of my mom when she was my age.”



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Take the Bull by the Horn

“This is a bull’s skull sprayed with adhesive and covered in sand, dripping with a few of my favorite charms.”


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Desert Finds

“Here's my old Polaroid collection. And both of these pieces are from my beloved adventures up in Joshua Tree. I bought those leather fringe pants right off an old cowboy outside of Pappy and Harriet’s, and the hat is from the Past Times Antiques shop.”


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Paint it Black

“This painting is by one of my favorite artists, Travis Lindquist, from the Goldmine Shithouse Art Collective. The hat and old lace vest are vintage and the bag is Olivia Harris by Joy Gryson.”


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Eye Candy

“The artwork is by Kill Pixie (Mark Whalen). These glasses are insane – I used them as a prop for my self-portrait project. The photo booth strip is taken in Berlin.”


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Loose Ends

“The artwork in this shot was made and given to me by Kime Buzzelli, who's also the costume designer for 90210. The tattered coral top is from the Greenpoint flea market in Brooklyn. The sequin bib necklace is from a vintage store in Paris right behind the Pompidou.”

Saturday, November 27, 2010

"Stare. It is the way to educate your eye, and more. Stare, pry, listen eavesdrop. Die knowing something. You are not here long."

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* the picture above & the title is a quote from Walker Evans.

This week a photography course was held at our school. Our visual arts education teacher invited a social documentary photographer, Andrea Mosso, to share his professional experience with us. While showing us his work, which I found really impressing and emotionally involving (in the early nineties he documentated the tragical situation of homeless children and their lifestyle both in Bosnia and Romania, for example), he talked about how to prepare a good reportage and it is the accurate homework and research which makes the difference. And how the choice of different techniques and the composition can affect the results of your work. I was really inspired by it all and it gave me a whole different enthusiasm and energy to approach photography. We decided to start a little project which consists in a representation of the school as a space and the meaning of it (to us). But I'm not that enthusiastic about it. Therefore I shall do also a reportage on my own and I thought about a neighborhood as a space. Garbatella, of which I've previously written (and posted pictures) about here, is full of colours and it's really hard not to get inspired by it. I started today and as soon as I'll finish my reportage I'll share it here. In the meanwhile I thought I'd share some useful tips (which I found from Brian Q. Webb blog) to make some good street photography.

1. Always, always have a camera with you. The reasoning behind this should be a no-brainer and if you’ve followed the prior two tips, should be a non-issue. If all you have is a pro-level dSLR with a huge white (or black with a gold ring) f2.8 telezoom and permanently fixed battery pack, then you might want to invest in something smaller and more portable as a “back up” that you can carry in your messenger bag or coat pocket.

- so true, you cannot afford to miss "the perfect situation". And practice practice practice! That's what makes the difference.

2. Be proud!
Yes, it’s a bit cliché, but confidence is key. You will be treated according to how you behave. If you’re off at a distance, half hiding behind a wall and sniping away with a 400mm cannon, you will be treated with suspicion and possibly confronted (not to mention eliminating the environment component of street photography). If you walk around pretending to be a ninja, imagining that you won’t be seen not only are you self-delusional, but once again your behavior will be met with suspicion and you will probably be confronted. However, if you keep your camera out and photograph confidently (respectful confidence, not obnoxious confidence) chances are that not only will you be left alone but that you will be ignored. The people around you will assume that you are doing what you are supposed to be doing. Counter-intuitive perhaps, but true.

- I personally have some issues when it comes to taking pictures of people I don't know. I'm just too shy! But it's also true that a photographer should not be noticed by his models, otherwise they won't act naturally. So be invisible!

3. Use a fixed focal length lens. No, fixed lenses aren’t a quaint novelty. Generally speaking, they are faster and stop-for-stop sharper and cheaper then their zooming brethren. From the perspective of street photography, it lightens your load but more importantly it teaches you to pre-visualize your composition. Being able to know what you’re going to get before raising your camera to your eyes to shoot mitigates the need for you to make compositional adjustments and speeds up execution, an important skill in a pursuit where the moment must be captured, not created. In addition, using a fixed focal length lens allows you to make use of zone focusing (including hyperfocal technique) eliminating even more time from execution.

4. Leave your camera at home. Find a nice city street with loads of foot traffic and a comfortable place to sit. Now, grab a latte, relax, and people-watch. Practice reading people’s motions and interactions. Developing the ability to predict human behavior is key in being able to capture that decisive moment, much more so then something like shutter lag.

- I think this is the most important point. The capability of observing a situation and getting to know it.

For some more from Brian Q. Webb blog read here!



Check out Joel Meyerowitz, the man from the clip above.

Who is your favourite (street) photographer?

Sunday, October 10, 2010

A letter to all of us!

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I came across this post and if I usually don't have time and actually like so much reading long articles on web, this one sure caught my attention. Please take your time to read it as I think Emily, from Scarlett Letter Style makes a really really really GOOD point.

Are Boobs Really Back?
"32 B. That’s the bra size for my minute mammary glands. As such, I’ve always thought that a voluptuous figure is not necessary to be beautiful. You can only imagine my dismay when I picked up the September Issue of Vogue (the Issue of Issues of the Magazine of Magazines) to find that, this season, I am not “in style.” That’s right, folks. The biggest trend this season is boobs.
Fuller cups have gotten the fashion world all fizzed up this fall. Designers, such as Marc Jacobs for Louis Vuitton, chose to cast “curvy” models for their fall 2010 collections. Many fashion editors are attributing this trend to the naming of Christina Hendricks as Esquire’s hottest woman of 2010. The pillowy actress, of the hit show Mad Men, is setting the trend for curves and vintage A-line silhouettes. Now, creative directors and agents can’t wait to get those boobs back in the press. Almost every major fashion magazine has an article on the rise of the shapely model. This flesh fetish is a breath of healthy and fresh air compared to the heroin-chic emaciated models of the late nineties. Or is it?
Don’t think that I’m just bitter in my B bra when I say that this trend is not good for women. Curves being “in” does not mean that the American populace has grown to accept body fat. On the contrary, it suggests that breasts are the only part of the body in which bigger is better. In the article, “the F Word” in the New York Times Style Magazine, the book “Revolting Bodies?” is quoted to say that “fat is seen as repulsive, funny, ugly, unclean, obscene, and above all, as something to lose.” This view of fat seems to coincide and resonate with the fashion society’s obsession with Anorexia and obesity. Fat is something natural, but it is viewed as something that is unacceptable that one needs to conceal in corsets, spanx, and funny underwear. Hendricks even states in the article “Learning Curves” that she must wear a girdle and garters that give her bruises when in costume for Mad Men (Vogue, p. 480). I don’t know about you, but that doesn’t strike me as fashion that is friendly to the figure.
All in all, it appears that haute couture has never been amenable to the idea of a natural silhouette. Through the rib-shrinking-and-intestine-twisting corsets of old and the more recent girdle, designers have created images of the way they think women should look. These images, throughout history, have coincided with women’s roles and freedom. Corsets restricted women in the same way that the old Church restricted women. The structured sixties look coincided with a time when American women were paid less, still expected to be wives and mothers, and were not viewed as equals. The focus on breasts in fashion has been a focus on a woman’s capacity to be a mother. This focus has been a way to separate women from men in clothing, lifestyle, and gender roles. Think of times when breasts were not the focus of fashion: the twenties, the seventies, and the nineties. These times included Coco Chanel’s diversion from the corset and the rise in women’s sexual liberation, the burning of bras and the feminist movement, and the thin aesthetic and rise of the modern businesswoman, respectively.
Although many see the celebration of curves as a celebration of women that will reverse the rampant Anorexia in the modeling world, I disagree. I do not think that it is a fashion designer’s right to dictate which BMI is considered beautiful. In my opinion, it is ridiculous to purport that a certain body shape is a fashion trend. Bodies cannot change as easily as clothing can change, and dictating the ideal figure can lead to less body peace, more figure insecurity, more eating disorders, and more plastic surgery. Although it may seem far-fetched, I propose that fashion magazines focus on clothing. I know it’s ridiculous, but I think that magazines should eliminate articles that talk about body shapes like they are the new trench coat.
Despite all of the body politics, I am personally a fan of fashion. I love dressing myself in outfits that make me feel special. I love the combination of colors and textures and ability to express my creativity through clothing. This may seem ironic coming from a girl who has personally struggled with body insecurity and eating disorders. However, I think that authentic fashion can be a wonderful artistic medium. This is why I love fashion blogs and fashion blogging; blogs allow average women of all shapes and sizes to express their personal styles. In my fashion blog, Scarlet Letter Style, I write about all aspects of fashion except body shapes. In the world of fashion blogging, all bra sizes, from A-Z, are considered to be vogue. In the world of fashion blogging, women can write about fashion that allows them to pursue their individual dreams.
I find the idea of “boobs being back” to be completely ridiculous. Boobs cannot be back; they have always been and will continue to be “in”: a distinctly beautiful attribute of women."

I'm curious what do you, my dear readers, think about it?

Friday, August 13, 2010

Rules for successful living



Me and my friend Kadri-Ann started this small blog dedicated to simple & clear "rules" with a strong message. Other than believing in some complicated life philosophies - sometimes a short sentence can help you a lot more!! Easier to remember & easier to follow. Enough of blablabla -check it out by yourself.

Monday, December 14, 2009

New York, New York.. I've got you under my skin

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.. and thanks to her even more.

This isn't going to be long.
I was thinkig for long how to write this post, how to describe well enough this young photographer with who's work I'm in love with, but there's nothing much to say actually. Except that she's got a huge talent. I mean really huge !
She mainly takes pictures of every day things and doings. It's the way she catches them. The ordinary moments in her photographs become so special. Makes you want to slow down with the rush and enjoy simple things like walking (and not running!) in the city or having a lunch at the park, too. Just like the people in her pictures..
She's got two blogs: one in black & white and another in colour.
You must check them out to understand what I'm talking about, definitely!


Photodiarist black & white (check!)
Photodiarist in colour (check!)

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Here are some shoots she made of Bergdorf Goodman's (department store in New York) holiday window displays. I find them sensational. She could calmly shoot the next Vogue issue editorial, in my opinion.

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Which was your favourite photograph taken by her (seen on her blog)?
You should see her older post too, there are some fantastic pictures taken on her trip to Morocco, definitely check them out and Stockholm pics are also great!! (love the yellow)
;)

Sunday, November 22, 2009

Click Clock Being On Time.. you bet I am. Here's what Karl suggests

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No, I'm not gonna tell you how busy I'm going to be this week and that I have to make tests in Italian, History, Art History, Law and Maths lesson, I have to go to maths extra-lessons twice this week (yes, I'm louzy in maths, I suck! But I'm on a good road becoming a genius, one fine day, yes I am), I'm gonna have to go to the hair-dresserer (yes I literally HAVE TO), I have to see two exhibitions for school, I have to see MAXXI and the Valentino movie with my friend Concetta, I have to finish my architecture project, abso-f-lutelly, I have to go shopping (otherwise I'll be going around naked. I'd rather, than dress badly... just like Coco says (Coco's Tea Party check! ) ), I should go and leave my CV-s in shops (in the hope for a job under Christmas, I know, it's late) and in the end.. should I say, I'd like to take a moment and breath, too? Or is it too much to ask. No, I guess not, I should have learned how to organize my time, already. Being 19 and BLABLA everything... It's about time, isn't it? But it could wait, at least tonight.. I want to post about Karl's apartment (and stay up late and tomorrow morning be zombi). Yes The Lagerfeld. I did like this pret-à-porter collection (Spring 2010), it kinda is classical but not boring, with an extra twist and catch in it. I find it inspiring. Take a look at it and what he says to Harper's Bazaar, I find this interview also inspiring:

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Can I still look chic while buying cheap?
Karl:
"The most important thing is to sleep well. Try to have sweet dreams and no recession nightmares. Never use the word cheap. Today everybody can look chic in inexpensive clothes (the rich buy them too). There is good clothing design on every level today. You can be the chicest thing in the world in a T-shirt and jeans — it's up to you."


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"..Reinvent new combinations of what you already own. Play with it. Improvise. Become more creative. Not because you have to, but because you want to. Evolution is the secret for the next step. To reinvent a newly impeccable you in the most modest of outfits, don't skip on makeup, and be sure to have flawless skin and hair. That will have more impact than expensive clothes."


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"..Women dressing to impress other womenforget about that. It's a very bad way of thinking.
.. Life should not be a fashion show. Only the girls in the shows have to wear unfinished prototypes."



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Here's his home (one of them), in Paris, I think. It was in Elle Italia September issue, if I'm not wrong. I couldn't live in it. Too black&white and surgical. But I appreciate his taste and vision of life. Seems like he only wants the essential and colours may disturb and distract him to get the "juice" out of the world. The apartment is very modern and infact he says, that because of some materials used, just newly invented, he gets amused thinking that only few years ago he could not have realized this apartment. ( I guess we are talking about some plexi-chemical-synthetical-glass in this case. In this apartment basicly there are no real walls that separate the rooms, only this kind of a wall of glass). Down on the first picture you see the kitchen (in the left, on top), the library and a huge guest room (on the left, on the bottom), a part of the guest room with a very modern "sofa" if I can call it that way. The bathroom, the bedroom (on the left) and the guestroom. I had this article somewhere and I should read it so I will be able to describe it better. In the meanwhile, I hope your week is less crasier, and you're a better time-organizer!

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Wednesday, November 18, 2009

Let me tell You few things about Italian Men

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This is going to be fun.

I'm going to dedicate this post to men. Yes. To MEN, and more precisely to Italian men. But I won't bother you with annoying stories about love or relationships or god-knows involving something else sentimental.. (although lovestories with Italian men can never be boring, it's like saying "Obama is bronzed." And YES, this "joke" was said by mister Berlusconi himself, what a shame!!!).

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I'm going to talk about fashion. Now we all know that the italian fashion is world-widely appreciated and pretty much everyone who understands and gets the meanings of "elegance" and "style", connects these two conceptions firstly to the italian tradition of dressing. It couldn't be differently as in Italy everybody loves fashion. Everybody lives from fashion. Women love fashion, children love fashion (already at the age of seven they ask from their parenst for the coolest sneakers there are in shops), grandmothers and grandfathers love fashion (their way of dressing is really ageless: Classy and Elegant, just like it was in their golden-age in the sixties when the Dolce Vita just started to blossom)... But the ones who really take the risk and really take it on the edge... are the men.

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There are three things, 3 crucial things without the italian men just can't live without: the football (the football.. God! Take it away and they die. Make their favourite team lose and they die.), the food (their OWN traditional Italian food ofcourse! Nothing else can ever beat their mom's home-made pasta-asciutta, never ever), and ofcourse the women. THE WOMEN, wonderful creatures made exclusively for them.

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And I don't think I'm so wrong after all if I say that the 4th crucial thing is fashion. Yes, I'm quite sure of it. Fashion is not only the way they dress, it's their lifestyle, the expression of their personality and, most importantly, their origin in the deepest meaning. So it's totally normal and cool, if men look in the mirror more than their girlfriends. (It's the women that get bored and rather avoid going shopping with their fiancès.)

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These pictures are ALL taken by Scott Schumann.

Their way of dressing is rather special. But it's traditional.
A little bit dandy.
Oh no, sorry, it's quite A LOT DANDY.
So very very elegant.
Soft.
And if I said edgy and risky before I meant colourful.
It's the quality they're looking for.
The tradition.
The unique piece, not so easily found, is the key..

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Here is a shoot taken by Mario Testino (for Vogue) two years ago of the most dandyish italian public-display persona Lapo Elkann. You may have heard of him before. He's a New York-born Italian industrialist, former marketing manager and heir to the automaker Fiat. As famous for his outrageously unique sense of flair, it couldn't be other way that Vanity Fair included him in the International Hall of Fame: Best Dressed Men list. (check!).
And there's a whole blog dedicated to the way of italian men dressing. (check!)

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PS! Of course there's a bit of humour in this story, please take it ironically!:)